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Eliot poem called Gerontion
Follow a world of even deeper intrigue and transformation, with characters fighting their own battles as they grapple with existential threats to the nation and the world. From X-Men: First Class and "The Acolyte" to The Cotton Club, see TV and film roles from "The Agency" stars Michael Fassbender, Jodie Turner-Smith, Richard Gere and more. The opening credits introduce characters and scenes from the series interspersed with mirrored panes. Former CIA Director of Counterintelligence James Jesus Angleton, also known as the "poet-spy", often described the intelligence game as "A Wilderness of Mirrors", a phrase borrowed from a T.S.
In US
In the world of intelligence, in search of truth, it is difficult to distinguish between reality and its reflection, an illusion if you will, as if you were in a "Hall of Mirrors". During the dialogue with the Martian in conversation with Dr. Blake, the acronym "OBE" is incorrectly explained as "Overcome By Events". government agencies, including those in the Intelligence Community and the Department of Defense, the correct/official explanation of the acronym "OBE" is "Overcome By Events".
The opening credits show characters and scenes from the series intersected by mirrored panes
Former CIA Director of Counterintelligence, James Jesus Angleton, also known as the "poet-spy", described the intelligence game as "Wilderness of Mirrors", a phrase borrowed from a poem by T.S. Eliot aka Gerontion (the title is Greek for “little old man,” and the poem is an interior monologue that presents the thoughts and impressions of an older man, describing post-World War I Europe through the eyes of a man who lived most of his life in the 19th century). In the world of intelligence, in search of truth, it’s hard to tell the difference between reality and its reflection, an illusion if you will, like being in a "Hall of Mirrors". Featured in Graham Norton’s Cost: Cher/Keira Knightley/Michael Fassbender/Josh Brolin/Jalen Ngonda (2024).
Then it’s action
Ogletree gets fantastic lines in a bespoke way that’s almost as delightful as Bosko chewing out his underlings. These are fast actors, this isn’t a crazy farce starring Felicity, these are slow horses meeting the day of the jackal. One moment it’s a visual treat like a music video with creepy steadycam and expertly framed shots. The next it’s romance.
I can’t get enough
Then it’s a comedy when Boško turns the bird. Just like the previous show Homeland, this one takes the cake for foreign adaptations. While High Potential is just formulaic, network TV fodder, this is the juicy stuff you subscribe to cable for.
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